Monday, August 1, 2016

A Comedy Book

Back in April, I attended the Los Angeles Times Festival of Books.  This event might be my most favorite event of the year.  It is always such a fun day -  speakers, curious topics, and great literature.  For a reader, it's like a book carnival.  Plus, it makes me feel smart to be there.
Each year, we attend 5-6 sessions on various topics but always make sure at least one of them includes comedy writers.  This year was no exception as we went to a session called "Make 'Em Laugh: A Look at Comedy from All Sides".  The speakers were Jon Macks (author and television writer most known for "The Tonight Show with Jay Leno" as well as numerous entertainment award shows), Kliph Nesteroff (author/stand up comedian), and Kenneth Turan (author/USC Writing Professor/LA Times' film critic).  It was a well-rounded, funny, and so very interesting panel.  Their stories about all aspects of comedy had us engaged and rolling with laughter.  I was especially taken with Nesteroff's stories.  He is known as the "King of Comedy Lore" so his accounts of famous comedians that we all know and love were fascinating, and I made note to check out his book once summer arrived.
I downloaded The Comedians: Drunks, Thieves, Scoundrels, and the History of American Comedy back in June and JUST finished it last week.  In my defense, I was reading a book book simultaneously which split my reading time in two.  Anyhow, while this book is not my usual genre of choice, I did really enjoy it.  Even though it was only 432 pages, it was a slow read as non-fiction often is.  It wasn't slow because it was uninteresting, but rather due to all the names and facts.  This book basically told the history of comedy in the 20th century - from Vaudeville in the 1920s to the effects of the 9/11 attacks on the direction of comedy in America.  It was told in chronological anecdotes which were amusing.  While most of the comedians included are well-known "greats" (The Marx Brothers, W.C. Fields, Jack Benny, George Burns, Johnny Carson, Lenny Bruce, George Carlin,  Dave Letterman, etc), lesser known comics were given equal time.  I was fascinated by the connection between comedy/comedy clubs and the Mob which was the case for several decades.  Closing the book with the change in comedy after the NYC and Washington DC terrorist attacks, which is coming up on 15 years ago, many of the comedians mentioned as up-and-coming comedy writers (Louis C.K., Jon Stewart, Judd Apatow, Stephen Colbert to name a few) are now in the spotlight as great comedians.  Of course the author would have known that as the book is rather recent, but I did like that connection.
 There is only one criticism I have.  While I understand that women in comedy were rare for quite a few decades, I do wish more detail was included about women comedians.  Women were written about in the book, but after reading, I wanted there to be more than just a mention here and there.  This issue didn't detract from the book by any means, and I would still recommend it.

These are some of the quotes I noted that were either poignant or just made me chuckle...

"Lenny Bruce joked that Chicago was the only city where death certificates listed a cause of death as 'He wouldn't listen'." (referring to the Mob)

"(Vaughn) Meader was hired to play JFK, but most record labels turned the idea down.  They felt it was out of bounds to ridicule the president." (Times have changed!)

"(Lenny) Bruce was busted at Doug Weston's Troubadour on his return to Los Angeles.  The crime was titillating Yiddish.  The offending words noted in the police report were 'fressing, schmuck, putz, schtup, and tuchas.'  Bruce was busted so often that comedian Herkie Styles started traveling to his gigs as an emergency understudy." (Even in 1966 comedians were arrested for inappropriateness.)

"Back in the old days it was run by the Mafia and run quite efficiently.  You could see the greatest entertainment in the world at low cost.  Now that the town is run by businessmen, the prices are outrageous.  Every department must show a profit.  In the old days, the Mafia let the casino carry the whole operation." (About Las Vegas)

Some of the most famous comedy clubs in Los Angeles did not pay their comedians, feeling that the exposure was enough.  In the 70s, the comedians decided to form a union...
"Comedians knew they needed a united front in order to get paid.  The Comedy Store was targeted rather than the Improv, as it was the most profitable.  Meetings were hosted in the homes of Elayne Booster and Jimmie Walker, but it was tough to get the comedians to engage in serious discussion.  'Jay (Leno), bless his heart, couldn't sit still,' said David Letterman. 'He was behaving like a hyperactive child.  Jumping up and down, being funny and distracting to the point where everybody sort of thought, well maybe we shouldn't tell Jay about the next meeting'."
"'Jay Leno was a loose cannon', says (Tom) Dreesen.  'I'd say Jay, Jay, Jay!'  Gallagher was yelling, 'We'll burn the fucking place down!'  They were all in disarray.  I began to take charge of the meetings so they could get something done...It was hysterical - comedians at a union meeting.  People were in the bathroom doing cocaine."  (That visual made me laugh out loud).


  1. Comedy is far harder to write than tragedy. But tragedy that's sublime is damn near impossible.
    You know that town you're in is like a factory town for the arts, the popular arts. And it must be hellish to be a writer that arrives there without reputation, or one that has and has written a flop. Where in other places, like me having an Artist's Tax Designation, artists are somewhat cossetted, it must be like a guillotine coming down in LA and a person would know within weeks if they had the stuff.
    It must be similar for all the blonde titty girls/musclebound pretty jocks from Appletown, Nebraska who arrive in LA to become the next great film star. You could only hope they didn't make too much of a thing when they left so they could come home.

    If you get a chance read Aristophanes Lysistrata. It's about a sex strike by the women of Athens. You'll see that nowt has changed with good comedy. Try for the Lindsay translation, it's in the public domain, and it's probably the best of them too.

    1. From what it seems, getting jobs in Hollywood behind the camera are not AS hard as in front of. The business employs HUGE numbers of people, including rooms of writers for any particular project. There are parts of that business that seem appealing, but there's an uncertainty that comes with one show/film wrapping up and having to find the next one.
      I do think some of these comedy writers are brilliant. It's one thing to be funny, but something different entirely to write GOOD comedy. So much of it just gets stupid.
      Funny you should mention Lysistrata. There is a Spike Lee movie that came out last year I believe that is based on that story. Rather than stopping a war in Ancient Greece, it takes place in Chicago. The women stage a strike in order to stop the gang violence. The lead character's name is Lysistrata also. :) I'll look into that translation.

  2. Personal taste in comedy can be quite varied. We learned that on some of our family trips when trying to find shows to attend. We hit the jackpot with Wayne Brady's show - all eight of us loved it.

    Personally, it can all depend on my mood - and what I like in a film might not be the same as what I like in stand-up. I'm not fond of "mean-ness", which is one reason I steer clear of political humor and even though he could be funny, Rodney Dangerfield's self-deprecating humor got old. I've always heard slap-stick and physical humor appeals more to men, but I loved the Three Stooges and Jerry Lewis when I was a kid. For that matter both Carol Burnett and Lucille Ball did physical comedy and I still can laugh watching their old stuff. (nothing is funnier than Carol Burnett, Tim Conway, and Harvey Korman together!) Perhaps my favorite in written form is a good, groan-inducing pun. And as long as it isn't really hurtful to others, I like dark humor. Sometimes the only choice is to laugh or cry and I'd much rather laugh. (which reminds me... I have some funny stories about my sister's ashes, but I've already found out that not everyone is receptive to that kind of humor!!)

    Your book is totally outside my normal reading realm, but I think I would enjoy it quite a bit based on your review. I'll keep it in mind!

    1. It was also outside mine, but I am glad I read it. It was fascinating, if it's a subject you're interested in.
      Comedy is definitely subjective. I'm not a fan of slap stick or obvious comedy. I like clever/subtle or situational comedy. I don't mind self deprecating, but was not a fan of Dangerfield - he was too over the top for me. Comedy that is based on real situations is my favorite as it's so relatable.
      Lucille Ball and Carole Burnett are some of the greats. As I said, I wish more time was spent on them in the book, and surprised it wasn't.

    2. I will say, that Wayne Brady is a talent. He can sing and dance and is very funny. I didn't/don't watch it regularly, but that show "Whose Line is it Anyway?" is great. All those comedians are so talented, on the spot talented. Anything I ever watch from that has me in stitches.

    3. My two younger kids and I use to LOVE to watch "Whose Line". I never considered myself a fan of improv until I started watching it, but it really takes talent to be able to do that! I think some of the skits are on YouTube.

      It was only a two-night gig when we saw him in Vegas and the night we went happened to be his birthday. He had family in the audience along with Drew Carey. I can't remember the last time I laughed as much. It was great!

  3. I would love to attend the festival of books you reference. We have something similar in Nashville every year (Southern Festival of Books) and you're so right -- a carnival for readers and book lovers.

  4. Sounds fun...I have never heard of it.
    I planned my daughter's bachelorette party as her maid of honor, her sister, lives in New Zealand and couldn't plan we did comedy at the made for a fun evening in the front row :)